Posts Tagged Zama

Zama: Lucrecia Martel Screen Talk

Lucrecia Martel’s ‘Zama’ was named as one of our 10 essential films of 2017. To celebrate its UK release, we revisit the revealing masterclass the acclaimed Argentinean filmmaker gave during last year’s London Film Festival, where ‘Zama’ also had its UK premiere. Her long-awaited fourth feature, which took almost a decade to get made, is the first literary adaptation in Martel’s career, based on the 1956 Antonio Di Benedetto’s novel, which is set In the late 18th century and tells the story of Spanish official Don Diego De Zama, whom after years of dedicated service to the Spanish crown in a remote position somewhere in the South American, he believes he’s entitled to a promotion for a place in a better destination. His increasingly delusional longings serve as a reflection on the trappings of personal and social identity as well as taking an incisive, critical look at the ways of colonialism.

Interviewed by professor Maria Delgado and boasting both a healthily sarcastic sense of humour and an endless capability for amazing digression, among other things, Martel talked about her career, the themes and preoccupations’ on her body of work, some of her philosophical theories and what kept her so long from making another film after her masterpiece ‘The Headless Woman’. Read the rest of this entry »

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The Best Films We Saw At #LFF2017

Looking back at 2017’s BFI London Film Festival and after careful deliberation, we finish our review with the list of the best films we saw at this year’s event. We began our coverage recommending 15 films we had already seen at Cannes and other festivals. A list that perfectly complements this one and whose, at least, first 8 titles (among them, The Florida Project, You Were Never Really Here, The Killing Of A Sacred Deer, Summer 1993, etc.) deserve to be included in any best-of the festival recap. We also took a look at a selection of the lesser-known titles from the different strands in former posts. But now its the turn for the films that we actually liked the most during the festival. Altogether, they shape up a promising look at some of the best work that (hopefully) will come to our art-house cinemas during the next twelve months. Read the rest of this entry »

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