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#LFF2018 – Widows: Steve McQueen’s Triumphant Venture Into Genre

L-R: Michelle Rodriguez, Viola Davis, and Elizabeth Debicki star in Twentieth Century Fox’s WIDOWS. Photo Credit: Courtesy Twentieth Century Fox.

The Opening Gala for this year’s London Film Festival will be remembered as one of the best in recent memory. There were enormous expectations about the follow up to Steve McQueen’s Oscar winning ’12 Years A Slave,’ which the iconoclast British filmmaker have defied by venturing into genre with a slick heist movie adapting Lynda La Plante’s 1983 page-turner ‘Widows.’ La Plante’s bestseller was promptly made into a six-part ITV series the director was impressed by in his youth.

Another best selling writer, Gillian Flynn, was recruited to update the story to our times. Since Flynn’s successful adaptation of her own novel, ‘Gone Girl,’ earned an Oscar nomination, the American author’s body of work has been in great demand – this year we also saw ‘Sharp Objects’ made into an HBO miniseries. And she does not disappoint, with a compact screenplay that brilliantly transplants the many pulp charms, characters and situations of the original novel to contemporary Chicago, being faithful the storyline’s surprising twists and thrills.

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2009 The Year In Movies: 3-Drama


THE BURNING PLAIN (Guillermo Arriaga)

A look at this year’s Sundance winners and the backlog of US independent films awaiting international release makes us believe dramas are prevailing among 2009 cinematographic offer.

Of Imminent arrival is Guillermo Arriaga’s debut as a director, “The Burning Plain”. Arriaga was the screenplay partner of Alejandro Gonzalez-Iñarritu (“Amores Perros”; “Babel”) but after famously splitting up with the Mexican film-maker, he decided to swap roles. His first project, also self-penned, shows again his trademark multiple stories in multiple geographical locations with a final link style. Kim Basinger and Charlize Theron figure on its cast. However, and regardless of the brilliant standard of his work in the past, this directorial debut received mixed reviews in Berlin.

Not only writers want to turn into directors, some actors also will take the lead, among them Samantha Morton. The Academy Award nominee British actress will debut with “The Unloved”, a view of the UK’s care system for orphans and children in danger, from the perspective of one of them. Little else is known so far.

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