Posts Tagged Pablo Larraín

Neruda: Playful Portrait Of An Iconic Poet

The work of Chilean auteur Pablo Laraín’s has always stood out as unconventional. Not even his recent stateside venture with Jackie, which arguably took him closer to the gates of mainstream and earned a nomination for Natalie Portman as lead actress, could made him lose any of his habitual narrative edge.

With ‘Neruda’, Larraín defies every single rule of the much maligned biopic subgenre, crafting a fitting addition to his body of work which, until ‘Jackie’, had dealt with the open wounds of Chile’s historical memory, particularly on his trilogy about the country under General Pinochet’s dictatorship, comprised by ‘Tony Manero’, ‘Post Mortem’ and ‘No’. Going back in time years before the General’s orchestrated coup d’état, it introduces Pablo Neruda both as universally acclaimed poet and as a consolidated political figure, right when the president in charge, González Videla, outlawed the communist party and issued an arrest warrant against the Nobel prize writer for his pro workers revolution ideals. Read the rest of this entry »

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#LFF Recommended: The Club (Pablo Larraín)


The 59th BFI London Film Festival is just round the corner and our blog will be posting daily updates with everything that happens during the event. To build excitement while counting down the days, we begin our coverage with a few recommendations, the first of which is Pablo Larraín’s extraordinary allegory about the sins of the Church, ‘The Club’.

In a misty coastal town four men and their housekeeper share a grey but placid existence. They go through their everyday tasks enjoying what seems like an early retirement whose calm will soon be compromised by the arrival of three strangers, one shortly after each other. Read the rest of this entry »

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Film Of The Week: No ★★★★★

With February the last of the award season contenders arrived, Hitchcock ★★½ and Flight ★★½ have finally reached British shores with their huge promotional display. However those big Hollywood productions are overshadowed by three smaller films that can easily be considered among the best of the year. Having to choose one of them, by a very narrow margin, ‘No’ ★★★★★ is our recommended film of the past fortnight.

Pablo Larraín’s final instalment of his recent Chilean history trilogy is also his finest. Lightening the tone from the grim sleaze of his debut ‘Tony Manero’ or the sombre ‘Post Mortem’, the director has chosen a feel-good comedy for his account of the elections that put an end to Pinochet’s bloody regime, after the dictator driven by growing international pressure agreed to a democratic referendum for the Chileans to decide if they wanted him to stay in power.

The depiction of those events, told from the point of view of the advertising creative who shaped the campaign for the negative vote, is incredibly engaging and works in many different levels; as a comedy; as a political thriller and as a thoroughly researched narration of recent history. Visually the clever mix of techniques makes the film even more rewarding. Some of it, shot imitating the typical eighties image coming from video tapes; plus real and faux documentary footage and commercials. Gael Garcia Bernal brings the star power needed to ease its way for international audiences. Nominated for the Foreign Language Oscar and four Rober Awards, including best picture; ‘No’ is not be missed.

Fierce competition in the arthouse scene comes this week from Japan and Hirokazu Koreeda’s charming urban children’s story ‘I Wish’★★★★½. Read the rest of this entry »

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