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#LFF Suffragette (Sarah Gavron): Sisters Were Doing It For Themselves

Anne-Marie Duff (Violet) and Carey Mulligan (Maud) in SUFFRAGETTE
Anne-Marie Duff (Violet) and Carey Mulligan (Maud) in SUFFRAGETTE

As the Curtain rises on the 59th BFI London Film Festival, its opening gala couldn’t have captured the feeling of the times any better. Released right on time to support the ongoing debate about gender inequality within the film industry, as well as in our society as a whole; ‘Suffragette’ goes back to the beginning of the 20th century paying tribute to the movement for women’s right to vote.

A passion project for director Sarah Gavron, it took ten years to complete, hindered by what many perceived as the lack of commercial viability of an all-women endeavour. The final result is a solid, finely crafted, but rather conventional drama whose screenplay, penned by Abi Morgan (Shame; The Iron Lady), combines historical research with crowd pleasing elements.

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2009 The Year In Movies: 1-Next Year’s Oscars


ACADEMY AWARDS MONTAGE: A LOOK AT THE YEAR AHEAD.

This year’s surprisingly good Academy awards ceremony ended up with a look at the future, thanks to a montage previewing some of the biggest movies to be launched over 2009. The clip included a mix of well hyped blockbusters and successful franchises next to some hints at potential nominees for the coveted awards in 2010. Among them: Michael Mann’s “Public Enemies”; Mira Nair’s “Amelia” and Lone Scherfig “An Education”.

With another look at that montage we begin a series of posts, looking at the most interesting movies (on paper) that the next twelve months will bring; divided by genres and starting by a deeper look at those movies that look likely to make an appearance in the next Awards season.

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Oscars Special: Our Predictions


SLUMDOG MILLIONAIRE

small-uk-flag.jpg Just one day before the Oscars ceremony takes place, a look at this year’s Hollywood picks shows one of the dullest havest in a long time. Everything points at a “Slumdog Millionaire” sweep, with the mediocre “Benjamin Button’s” hopes being relegated to a couple of technical statuettes. “Milk” will probably get the award reserved to the “rare and critical acclaimed” slot, the Best original script one. If the forecast is accurate, the significant changes announced for the show, masterminded by Bill Condon (Dreamgirls) and presented by Hugh Jackman, promise to be more interested than the awards themselves. Even when many categories still have room for surprise and general consensus is that whoever wins, will do it by a narrow margin. After the jump our predictions.

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