The awards season kicks in, at least for the general public, with a bang. Gone Girl is the first big title reaching our theatres this autumn, right after opening the NY Film festival, having avoided the hype-building circuit of bigger events, probably due to the film’s spoiler sensitive nature.
A gripping thriller set against the backdrop of a marriage in crisis, Gillian Flynn adapts her own best-seller, the second most popular in recent times just behind “50 Shades of Grey”, maintaining all the elements needed to translate to the big screen its massive paperback success.
Its screenplay is packed with three different threads,