2009 The Year In Movies: 5-The Fantastic Genre

2009 promises to be a good year for the fantastic genre, even if it has begun with Zach Snyder’s long awaited adaptation of Alan Moore’s classic graphic novel “Watchmen” not living up to its expectations. Snyder’s attempt to be faithful to the source it’s worth praising, even if it often fails to translate its relevance to the big screen. After a year of excellent comic adaptations, all hopes were on him to carry on that excellence. “Watchmen” unfortunately didn’t get there.

However, there are enough interesting projects scheduled as to make everyone forget this slip and embrace a fantasy-tinged year in movies. The first one in arriving to the UK will be “Let The Right One In”, a Swedish vampire movie who’s earned rave reviews in the US where it was launched at the end of last year. Thomas Alfredson’s classy film transcends the limits and stereotypes of the genre and presents an innovative take on the vampire tales whose cinematography and screenplay have also earned him a good deal of acclaim.

Other high profile revisit of the traditional myths in the horror genre will see Benicio Del Toro, fresh from his ground breaking, Cannes awarded portrait of Che Guevara, back to fantasy land in a new version of The Wolf Man that also includes Anthony Hopkins and Emily Blunt as part of its cast, with Joe Johnston of “Jumanji” fame behind the camera.

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2009 The Year In Movies: 1-Next Year’s Oscars


ACADEMY AWARDS MONTAGE: A LOOK AT THE YEAR AHEAD.

This year’s surprisingly good Academy awards ceremony ended up with a look at the future, thanks to a montage previewing some of the biggest movies to be launched over 2009. The clip included a mix of well hyped blockbusters and successful franchises next to some hints at potential nominees for the coveted awards in 2010. Among them: Michael Mann’s “Public Enemies”; Mira Nair’s “Amelia” and Lone Scherfig “An Education”.

With another look at that montage we begin a series of posts, looking at the most interesting movies (on paper) that the next twelve months will bring; divided by genres and starting by a deeper look at those movies that look likely to make an appearance in the next Awards season.

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