Another heavily disputed category, this year many deserving cinematographers were left behind due to the excellent overall visual quality on offer. Among them the ever reliable Roger Deakins and his work in Angelina Jolie ‘Unbroken’; Philippe Le Sourd’s exhuberant Oscar nominated camera work for Wong Kar-Wai’s martial arts saga ‘The Grandmaster’; Bradford Young (Selma) who did get shortlisted for another of his works; Darius Khondi’s exquisite sepia-toned portrait of New York circa 1920 in ‘The Immigrant’; Hoyte Van Hoytema’s diverse work in ‘Intersellar’, depicting a post-Apocalyptic earth as well as mind-blowing space journey; Rodrigo Prieto’s beautiful Western imagery for Tommy Lee Jones’’The Homesman’ or Daniel Landin’s disturbingly alien visuals of ‘Under The Skin’.

The ones who make the shortlist are Read the rest of this entry »