James Murphy’s farewell to the project that has made him one of popular music’s biggest shakers during the first decade of the new century, sees him repeating his tested formula of mixing elements of punk , new-wave and disco on a personal cocktail that in this third serving did begin to lose a bit of its original surprise. Although LCD is still acclaimed by virtually everyone and capable of such distinguished moments as ‘Drunk Girls’; ‘I Can Change’ or the best ever tribute to Bowie’s ‘Heroes’, ‘All I Want’. Murphy is probably aware of the adage that says that a timely retreat equals a victory. Looking forward to find out what he’s going to do next.