We return to the monitoring of this year’s exciting awards season, a few days after the Oscar nominations announcement made the race officially turn into the Oscars race. Much has changed since before christmas and what looked like a battle between “12 Years A Slave” and “Gravity” is now, after BAFTAS & Globes showed their love, a clear three-way race with “American Hustle” added into the equation.
Since the NY film critics championed it, David O’Russell’s seventies-set comedy caper has been piling up the honours, concluding in a tie with “Gravity” for the most number of Oscar nominations this year; both earned 10, one more than the slavery drama.
In the meantime, we have been listing every nomination, critic choice, guild award and other honours as they’ve happened, giving 5 points for each best picture win, 3 for each win in other categories and 1 per nomination or mention.
A total of 315 pictures, including a record number of 76 foreign language submissions received some sort of mention through the season. Check the Top 40 most awarded ones so far and the full list here
 | 1-12 YEARS A SLAVE ★★★★½ Steve McQueen (691 points/9 Oscar noms) Even if it’s shocking depiction of violence and abuse may come in the way of old-fashioned voters' support and despite ‘Gravity’ and ‘American Hustle’ earning one nomination more for the AMPAS, McQueen’s slavery drama is still the one to beat as the number of wins all across the board with critics, guilds and precursors clearly shows. |
 | 2-GRAVITY ★★★★★ Alfonso Cuarón (380 points/10 Oscar noms) Already considered a game changer, the film 3D and IMAX were invented for won the Globe for best director and seems likely to repeat the achievement at the Oscars, a technical sweep is also on the cards. |
 | 3-AMERICAN HUSTLE ★★★½ David O'Russell (300 points/10 Oscar noms) O’Russell repeats his stellar casting formula and gets huge support for four of the film’s five stars, the main appeal of this as funny as convoluted comedy caper, loosely based on the real story of caught fraudsters helping the FBI to capture some bigger fish. With most of the season’s talk focused on Gravity vs. Slaves, many see this crowd-pleaser rising among them and stealing the best film statue. |
 | 4-HER ★★★★★ Spike Jonze (269 points/5 Oscar noms) Another critics’ favourite, this brilliant, near future romantic comedy raises important questions about our relationship with technology through the romance between a divorced writer and his operative system. The voice of Scarlet Johansson steals the show, but its biggest award magnets are Jonze’s terrific screenplay and Arcade Fire’s fine soundtrack. |
 | 5-DALLAS BUYERS CLUB ★★★★ Jean-Marc Vallée (206 points/6 Oscar noms) Loved by the Actors guild and with best screenplay and picture Oscar nods under its arm, the strength of Matthew McConaughey and Jared Leto’s performances, which has made them the frontrunners in both male acting categories, has taken this drama set during the origins of the AIDS pandemic beyond the most optimistic expectations. |
 | 6-INSIDE LLEWYN DAVIS ★★★★½ (183 points/2 Oscar noms) Coen Brothers The Coens offbeat portrait of Greenwich Village’s 60’s bohemian folk scene has earned the famous siblings a big deal of critical acclaim. That’s why a meagre two Oscar nominations, snubbing its fine screenplay and Oscar Isaac’s breakthrough performance, feel like a let- down for the film’s legion of fans. |
 | 7-BLUE JASMINE ★★★★★ (161 points/3 Oscar noms) Woody Allen Woody’s best film didn’t make it into the best picture shortlist probably due to the year’s huge overcrowding but Cate Blanchett’ looks like the safest bet in the actress race. Sally Hawkins has also finally found her Academy reward and Allen himself, recipient of the honorary Cecil B. De Mille award at the Globes adds another nomination for his legendary writing skills. |
 | 8-NEBRASKA ★★★★ Alexander Payne (157 points/6 Oscar noms) Another film exceeding award expectations, this minor, heartfelt piece of Americana somehow resembling a younger brother of David Lynch’s “The Straight Story” , confirms its director as one of Today’s industry’s darlings. Veterans Bruce Dern; June Squibb and a funny, bittersweet screenplay are its biggest chances. Its black and white cinematography is not to be discarded. |
 | 9-THE WOLF OF WALL STREET ★★★★½ Martin Scorsese (145 points/5 Oscar noms) Scorsese took the learnings from his classic mafia movies to depict Wall Street’s financial excess in three energetic hours of sleaze, swearing and overall bad taste that have proven controversial and earned him Criticism of glamourizing the very issue it tries to condemn, which hasn’t stopped the master to score big again. Leo DiCaprio won the Globe and it’s also looking good for the Academy award. |
 | 10-CAPTAIN PHILLIPS ★★★★ Paul Greengrass (136 points/7 Oscar noms) Exhaustingly tense and gripping, this Somali pirates hijacking drama based on true events is the most accomplished US thriller in ages. Paul Greengrass refined his directorial trademark and provided Tom Hanks with his best role in years. Unfortunately both of them were snubbed by the Academy, but the film superior craft has been awesomely rewarded with 7 nominations including best picture. |
 | 11-BLUE IS THE WARMEST COLOUR ★★★★★ Abdellatif Kechiche (124 points/1 Spirit nom) French selection rules prevented the Palm D’Or winner to enter the Foreign Oscar race, but this exquisitely observed masterpiece championed by Spielberg and showing the sexual awakening and first love of a lesbian teen girl has been a fixture during the season. It has won the support of most critics groups for the film; its two young lead actresses and the Spirits still await. |
 | 12-FROZEN ★★½ Chris Buck & Jennifer Lee (112 points/2 oscar noms) Rapidly approaching social phenomenon status thanks to its smashing performance at the box office, despite proven divisive among critics, the latest Disney classic is the favourite to win in the two categories it has been nominated, best animated picture and original song with ‘Let It Go’. |
 | 13-THE ACT OF KILLING ★★★★★ Joshua Oppenheimer & Anonymous & Christine Cynn (93 points/1 Oscar nom) This unique documentary offered some of the paramilitary heads responsible for the massacre in Indonesia a chance to re-enact their war crimes; opportunity they happily embraced filming themselves as action blockbusters or sophisticated musicals stars in a process that led them to realize the consequences of their actions. It has been piling the awards and looks like the stronger contender also for the DGA and the Oscar. |
 | 14-THE WIND RISES Hayao Miyazaki (72 points/1 Oscar nom) The farewell for the legendary Japanese creator of the Studio Ghibli is an aviation story set during the Second World War, that have raised some political controversy as well as an enormous critical support which establishes it as ‘Frozen’ biggest rival in the animation race. On limited released just to qualify for the Academy Awards, western audiences are still awaiting for the film to hit our screens. |
 | 15-PHILOMENA ★★★ Stephen Frears (70 points/4 Oscar noms) Pleasant and tear-jerking human interest tale of elderly woman looking for his son, taken away from her by the nuns of the internship she was sent to when pregnant. It gave Judi Dench the perfect vehicle for a new claim at the Oscar and Steve Coogan a chance to get in the screenplay race. There were better movies this season, but few have pulled the audiences’ emotional strings as strongly. |
 | 16-SHORT TERM 12 ★★★½ Destin Cretton (70 points/3 Spirit noms) The greatest underdog of the season couldn’t take all the precursor’s support all the way to the Oscar, but Cretton has shaped one of the most solid indies of the year with this foster care home drama. Brie Larsen as well, as well as the rest of the young cast, has found her breakthrough role and it’s still a strong contender for the Spirits. |
 | 17-BEFORE MIDNIGHT ★★★★ Richard Linklater (64 points/1 Oscar nom) In the unexpected last instalment of this unique trilogy that’s lifted the romantic comedy genre to new heights, Delpy and Hawke recaptured the magic of their character’s relationship, now well established and with twin daughters of their own. Circumstances evolved, but their over analytical ways remained intact and like its earlier parts, the screenplay has been nominated again by the Academy. |
 | 18-SAVING MR. BANKS ★★★½ John Lee Hancock (53 points/1 Oscar nom) Emma Thompson was superb as the uptight writer of Mary Poppins in this story of the difficult relationship between her and Walt Disney, when trying to adapt her novel. The film, grazed with an old-fashioned charm that remembers the classic, saccharine-coated style trademark of the studio, was criticized for its sanitized version of the events; yet its British lead actress, alongside Tom Hanks are the two most surprising snubs of the year. |
 | 19-AUGUST: OSAGE COUNTY ★★½ John Wells (51 points/2 Oscar nom) This adaptation of the prestigious play was tepidly received by the critics, claiming the fitting of the original story into just two hours made it miss the rich connections between its many characters. A tale of dysfunctional family’s reunion for a funeral, it boasted perhaps the most impressive cast of the year and brought Meryl Streep and Julia Roberts another honour for their bulky CVs. |
 | 20-STORIES WE TELL ★★★★½ Sarah Polley (49 points/1 DGA nom) Another shocking snub in what many thought it was a lock for this year’s documentary gong, the former child actress turned director explored her family’s past to unveil a shocking secret hidden behind a curtain of rumours and half-truths in her best work to date. She may still have a chance to score with the Director’s Guild. |
 | 21-THE GREAT GATSBY ★★★ Baz Luhrmann (49 points/2 Oscar noms) Dropping from last year Oscar race and placed as the Cannes opener instead, Luhrmann’s folly shone at its most baroque in this energetic adaptation of the literary classic, where as its custom with the Aussie filmmaker every single detail of its production design was taken care in breath-taking detail. Its stylized costumes nearly prompted a Belle époque renaissance in the high street last spring. |
 | 22-THE HUNT ★★★★ Thomas Vinterberg (48 points/1 Oscar nom) Dogma alumnus Vinterberg returned to form and provided Mads Mikkelsen with a breakthrough, Cannes winner role as the kindergarten assistant falsely accused of child abuse becoming the victim of a witch hunt. Last year it piled on European awards and now is up for the foreign language spirit and also a favourite for the Oscar. |
 | 23-FRUITVALE STATION ★★★½ Ryan Coogler (47 points/3 Spirit noms) This Sundance winner drama narrating the accidental killing of a young black man by the police exploring the life of the victim while throwing in the issue of racial hatred surrounding the case has put in the map the careers of director and lead actor Michael B. Jordan, both collecting most available accolades for newcomers. Oscar winner Octavia Spence is also up for a supporting actress spirit. |
 | 24-TWENTY FEET FROM STARDOM ★★★★½ (43 points/1 Oscar nom) Morgan Neville A joyous tribute to the role of female back-up singer in pop history that’s singing all the way to the Oscar; Neville’s superb assemble of performance footage seems initially shaped as an anthology of early girl bands to later focus in four personal portraits of amazing talents that remained out of the spotlight and their unfulfilled dreams. |
 | 25-THE GREAT BEAUTY ★★★★★ (42 points/1 Oscar nom) Paolo Sorrentino Italy’s choice for the Oscar is indeed a work of beauty. Like an X-ray of Roma's decadent society, aggravated by comparison against the ancient city's cultural heritage, seen through the eyes of a writer who came in search of inspiration and got sucked in the city’s jet set lifestyle. A hit in the limited release box office and Fresh from winning the Globe, Sorrentino’s best work to date is also the frontrunner for the Academy award. |
 | 26-THE HOBBIT: THE DESOLATION OF SMAUG ★★★ Peter Jackson (36 points/3 Oscar nom) Somehow amending the flaws of its predecessor, thus avoiding the same critical backlash claiming the change from two-parter to trilogy was a total overstretch, the second instalment of The Tolkien classic is still a favourite with global audiences and up again for honours for its unquestionably fine technical crafts. |
 | 27-DESPICABLE ME 2 ★★★ Pierre Coffin & Chris Renaud (36 Points/2 Oscar noms) The original one passed completely unnoticed by the Academy, but its global success prompted a sequel that’s become the highest grossing film of the year worldwide. This alone has made the minions a force hard to ignore in the Animation field this time, resulting not only in a best animated feature Academy nomination, but in its main song ‘Happy’ by Pharrell Williams, currently a global chart sensation being in too. |
 | 28-LONE SURVIVOR Peter Berg (33 points/2 Oscar Noms) A recent smash in the box office based on the bestselling story of four Navy seals on a mission against Al-Qaeda that went wrong; any other time an effort like this would have been handsomely rewarded, yet it has only managed two technical nods, which also came as one of the surprises of the Academy’s nominations announcement, due to the strong competition it faced. |
 | 29-ALL IS LOST ★★★★ J.C. Chandor (32 points/1 Oscar nom) Another of the most criticized Academy snubs has been Robert Redford’s return to form with this physical and nearly silent role of a man struggling for survival after a shipwreck in the deep ocean. Since it debuted at Cannes J.C. Chandor’s film has been widely seen as a surefire contender, but ended up with just a technical nomination. The Hollywood legend recently blamed lack of publicity and distributor’s suport as the reason for this underperformance. |
 | 30-THE BUTLER ★★★½ Lee Daniels (30 poins/3 SAG noms) Daniels recruited half of Hollywood for this work freely inspired in the life of the White House’s longest serving butler, used here to showcase the evolution of the struggle for racial equality in the. Forest Whittaker; Oprah Winfrey and the whole cast scored nominations with the SAG, but were left empty handed at the gates of the Academy . |
 | 31-BEHIND THE CANDELABRA ★★★★½ Steven Soderbergh (29 points/5 BAFTA & 1 DGA noms) Soderbergh’s hard to believe retirement may have just meant he’s working for TV instead, as this “swan song” was made for HBO, having a theatrical release everywhere else. A master class on how to make a biopic, by focusing on the relationship between camp pianist extraordinaire Liberace and his longest lasting lover, he gave Michael Douglas and Matt Damon the roles of their lives, for which they’ve won every TV award in the States. |
 | 32-BLACKFISH ★★★½ (29 points/1 ACE nom) Gabriela Cowperthwaite This shocking study on the intelligence of whales and the effects captivity has in their behaviour was a hit at Sundance and everywhere it got released. It brilliantly built up the case against their commerce and exploitation in water parks. With a record 151 documentaries eligible for the Oscar, ‘Blackfish’ didn’t finally got chosen by the Academy, but it has been one of the most awarded during the season. |
 | 33-MUD ★★★½ Jeff Nichols (29 points/2 Spirit noms) Matthew McConaughey amply confirmed his career’s quality shift with three movies that have granted him recognition aplenty: he’s the Oscar frontrunner for ‘Dallas Buyers Club’ ; also had an impressive small role in ‘The Wolf Of Wall Street’, plus this Mississippi-based coming of age drama was one of the biggest box-office indie hits of 2013. Didn’t make the Oscars selections but its director is up for the Spirit, where next to the cast he’ll be the recipient of the Robert Altman award. |
 | 34-ENOUGH SAID ★★★½ Nicole Holofcener (28 points/2 Spirit Noms) The US indie filmmaker’s fifth feature is a superior rom com about the difficulties that age brings to dating, told through two towering performances by TV favourite comedian Julia Louis Dreyfuss and the late James Gandolfini, whose onscreen chemistry is the film’s main attractive. The Academy didn’t go for a posthumous nomination to the Sopranos star. But Spirit wins for him and Holofcener’s screenplay are still a strong possibility. |
 | 35-SPRING BREAKERS ★★★½ Harmony Korine (27 points/1 Spirit nom) Although James Franco’s campaign for supporting actor didn’t get much traction, Korine’s divisive shocker featured high in many critics lists. A rites of passage account of a group of teenage girls on holiday; its graphic depiction of the hedonistic world of drug, alcohol and sex abuse they get thrown into made it an easy source of controversy. Its dazzling cinematography is up for a Spirit. |
 | 36-THE GRANDMASTER ★★★½ Wong Kar-Wai (26points/2 Oscar noms) The Hong Kong master surprised his followers by taking its exquisite predilection for visual detail to the world of martial arts. Faithful to his style and embroiled in oriental philosophy, this slow-paced Kung-Fu master saga is narratively challenging, but boasts another prodigious display of dazzling cinematography. It may have missed the Foreign Language nod, but both its breath taking cinematography and custom design have been nominated. |
 | 37-THE CROODS ★★½ Kirk De Micco & Chris Sanders (26points/1 Oscar nom) An unexpected global box-office smash; the misadventures of this prehistoric family struck a chord with global audiences and got handsomely rewarded for it with a nomination in most of the precursors, as well as the Oscar itself over rivals such as Monsters University, in an animated field that’s been particularly weak this year. |
 | 38-THE SPECTACULAR NOW ★★★ James Ponsoldt (25 points/2 Spirit noms) Earnest, moving and familiar story about the pains of adolescence boasted by a superior screenplay and fine performances by its two young leads; particularly good is The descendant’ Shailene Woodley who amply validates all the promise she showed in Payne’s Oscar nominated film. Another indie underdog in the race, though loved by the critics it didn’t break through the guilds. The spirits nominations for Woodley and the film’s screenplay are its last chances. |
 | 39-RUSH ★★★★ Ron Howard (24 points/4 BAFTA & 1 ACE noms) Another one left empty handed by the Academy, the tale of legendary Formula 1 rivalry between James Hunt and Nicki Lauda boasted a furious pace and astonishing technical skill. Chris Hemsworth gave solid performance, but it’s Daniel Brühl who earned an SAG mention. Sound and production categories and a superb cinematography by Anthony Dod Mantle may find recognition in the BAFTAS. |
 | 40-PRISONERS ★★★ Denis Villeneuve (23 points/1 Oscar nom) Genre movies are not always the Academy’s cup of tea and the moral controversy surrounding Hugh Jackman’s character taking justice by his hands haven’t helped this excellent children’s kidnap thriller that resonated big with audience and critics. Despite a cast that features six former nominees and one winner, it has just scored for the fantastically claustrophobic cinematography by long time overdue master Roger Deakins. |
And for the anorak among you, the rest of the list:
No – FILM TITLE – Points
41 MANDELA; LONG WALK TO FREEDOM 23
42 FRANCES HA 20
43 MONSTERS UNIVERSITY 20
44 IRON MAN 3 20
45 THE BROKEN CIRCLE BREAKDOWN 19
46 THE WAY, WAY BACK 18
47 Cutie And the Boxer 17
48 The Square 16
49 STAR TREK INTO DARKNESS 16
50 THE PAST 15
51 WADJDA 15
52 The Lone Ranger 14
53 ERNEST & CELESTINE 14
54 UPSTREAM COLOUR 14
55 DIRTY WARS 11
56 IN A WORLD… 10
57 THE BOOK THIEF 10
58 BLANCANIEVES 10
59 PACIFIC RIM 10
60 THE HUNGER GAMES: CATCHING FIRE 10
61 THE MISSING PICTURE 9
62 OMAR 9
63 THE WORLD’S END 9
64 NO 9
65 LEVIATHAN 8
66 MAN OF STEEL 8
67 BAD GRANDPA 7
68 DON JON 7
69 A TOUCH OF SIN 7
70 DRUG WAR 7
71 42 7
72 EPIC 7
73 THE INVISIBLE WOMAN 6
74 GLORIA 6
75 LAURENCE ANYWAYS 6
76 AT BERKELEY 6
77 MUSCLE SHOALS 6
78 ALONE YET NOT ALONE 5
79 THE CRASH REEL 5
80 A HIJACKING 5
81 TO THE WONDER 5
82 THE SELFISH GIANT 5
83 METRO MANILA 5
84 IN THE HOUSE 5
85 THE SECRET LIFE OF WALTER MITTY 5
86 FILTH 5
87 FOR THOSE IN PERIL 5
88 Cloudy With a Chance of Meatballs 2 5
89 COMPUTER CHESS 4
90 MUSEUM HOURS 4
91 We Steal Secrets: The Story of Wiki Leaks 4
92 TIM’S VERMEER 4
93 THIS IS THE END 4
94 The Best Man Holiday” 4
95 FAUST 4
96 FROM UP POPPY HILL 4
97 Oz The Great & Powerful 4
98 THE KINGS OF SUMMER 4
99 WHAT MAISIE KNEW 4
100 LET THE FIRE BURN 3
101 THE HEAT 3
102 ENDER’S GAME 3
103 ABOUT TIME 3
104 THE ARMSTRONG LIE 3
105 THE CONJURING 3
106 BEYOND THE HILLS 3
107 ONE CHANCE 3
108 OUT OF THE FURNACE 3
109 SHELL 3
110 AFTER TILLER 2
111 UNA NOCHE 2
112 CRYSTAL FAIRY 2
113 Blue Caprice 2
114 The Inevitable Defeat Of Mister & Pete 2
115 STOKER 2
116 Much Ado About Nothing 2
117 THE DIRTIES 2
118 Oblivion 2
119 BROKEN 2
120 BLACK NATIVITY 2
121 the congress 2
122 ROOM 237 2
123 STRAY DOGS 2
124 LIKE FATHER LIKE SON 2
125 WHITE HOUSE DOWN 2
126 IDA 2
127 Elysium 2
128 MOTHER OF GEORGE 2
129 LE WEEKEND 2
130 STRANGERS BY THE LAKE 2
131 CAMILLE CLAUDEL 1915 2
132 World War Z 2
133 fast & furious 6 2
134 Gideon’s Army 1
135 Concussion 1
136 This Is Martin Bonner 1
137 Pit Stop 1
138 Afternoon Delight 1
139 Go For Sisters 1
140 Manakamana 1
141 INCH’ ALLAH 1
142 AN EPISODE IN THE LIFE OF AN IRON PICKER 1
143 THE NOTEBOOK 1
144 TWO LIVES 1
145 CASTING BY 1
146 A River Changes Course 1
147 My Sister’s Quinceañera 1
148 Newlyweeds 1
149 The Foxy Merkins 1
150 life on four strings 1
151 beneath the harvest sky 1
152 Labor Day 1
153 The Place Beyond The Pines 1
154 THE GATEKEEPERS 1
155 PRINCE AVALANCHE 1
156 A FIELD IN ENGLAND 1
157 OH BOY 1
158 Beware of Mr. Baker 1
159 Caesar Must Die 1
160 THE GUILDED CAGE 1
161 56 UP` 1
162 LOVE IS ALL YOU NEED 1
163 LORE 1
164 ANNA KARENINA 1
165 THE BEST OFFER 1
166 THE EAST 1
167 OLYMPUS HAS FALLEN 1
168 PUSSY RIOT: A PUNK PRAYER 1
169 LOCKE 1
170 THE UKNOWN KNOWN 1
171 GET A HORSE! 1
172 POPULAIRE 1
173 JACK THE GIANT SLAYER 1
174 AMERICAN PROMISE 1
175 MEDORA 1
176 WEST OF MEMPHIS 1
177 HERBLOCK 1
178 NO PLACE ON EARTH 1
179 HIDE YOUR SMILING FACES 1
180 ALL IS BRIGHT 1
181 VIVAN LAS ANTIPODAS 1
182 EXPEDITION TO THE END OF THE WORLD 1
183 GABRIELLE 1
184 KELLY + VICTOR 1
185 GOOD VIBRATIONS 1
186 The Call” 1
187 Tyler Perry Presents Peeples” 1
188 Winnie Mandela” 1
189 Free Angela and All Political Prisoners 1
190 Girl Rising” 1
191 High Tech, Low Life” 1
192 La Playa D.C.” 1
193 Lion Ark” 1
194 The New Black” 1
195 War Witch” 1
196 THE TRIALS OF MUHAMMAD ALI 1
197 HELI 1
198 WALESA, MAN OF HOPE 1
199 WALKING WITH DINOSAURS 1
200 JEUNE ET JOLIE 1
201 The Rendez-Vous of Déjà-Vu” 1
202 Home from Home: Chronicle of a Vision” 1
203 CHILD’S POSE 1
204 Only God Forgives 1
205 Hansel & Gretel: Witch Hunters” 1
206 Jobs” 1
207 Unfinished Song” 1
208 WINTER NOMADS 1
209 France, “Renoir,” Gilles Bourdos, director 1
210 POST TENEBRAS LUX 1
211 The Last Station 1
212 Sound City 1
213 Harlan County, USA 1
214 Gasland, Part 2 1
215 THE LOOK OF LOVE 1
216 STARRED UP 1
217 THE GOLDEN DREAM 1
218 AIN’T THEM BODIES SAINTS 1
219 Sightseers 1
220 FIRST COUSINS ONCE REMOVED 1
221 GOD LOVES UGANDA 1
222 LIFE ACCORDING TO SAM 1
223 HANNAH ARENDT 1
224 NEIGHBORING SOUNDS 1
225 WATERMARK 1
226 WHICH WAY IS THE FRONT LINE FROM HERE? 1
227 Ilo Ilo 1
228 THE ROCKET 1
229 The Wall 1
230 Boy Eating The Birds Food 1
231 Papadopoulos & Sons 1
232 Beautiful Creatures 1
233 Byzantium 1
234 THE FIFTH STATE 1
235 NARCO CULTURA 1
236 RHYMES FOR YOUNG GHOULS 1
237 SARAH PREFERS TO RUN 1
238 TOM AT THE FARM 1
239 Thor: The Dark World 1
240 MY PRAIRIE HOME 1
241 DOWN RIVER 1
242 1″ 1
243 47 Ronin” 1
244 CinemAbility” 1
245 Good Ol’ Freda” 1
246 Justin Bieber’s Believe” 1
247 Metallica Through the Never” 1
248 Planes” 1
249 Rising from Ashes” 1
250 O APOSTOLO 1
251 A PLACE AT THE TABLE 1
252 MY SISTER SARAH 1
253 BLOOD BROTHER 1
254 HOW TO MAKE MONEY SELLING DRUGS 1
255 PABLO’S WINTER 1
256 Kill Your Darlings 1
257 INTERIOR. LEATHER BAR 1
258 Escape From Tomorrow 1
259 MY FATHERS, MY MOTHER & ME 1
260 BAD HAIR 1
261 Paradise: Trilogy 1
262 Argentina, “The German Doctor, 1
263 Canada, “Gabrielle, 1
264 Chad, “GriGris, 1
265 Switzerland, “More than Honey, 1
266 Georgia, “In Bloom, 1
267 Iceland, “Of Horses and Men, 1
268 Israel, “Bethlehem, 1
269 Japan, “The Great Passage, 1
270 Morocco, “Horses of God, 1
271 Netherlands, “Borgman, 1
272 Portugal, “Lines of Wellington, 1
273 Spain, “15 Years Plus a Day, 1
274 Sweden, “Eat Sleep Die, 1
275 Egypt, “Winter of Discontent, 1
276 Afghanistan, “Wajma -An Afghan Love StoryBarmak Akram, director 1
277 Bulgaria, “The Color of the Chameleon, 1
278 Colombia, “La Playa DC, 1
279 Croatia, “Halima’s Path, 1
280 Norway, “I Am Yours, 1
281 South Korea, “Juvenile Offender, 1
282 Latvia, “Mother, I Love You, 1
283 Bangladesh, “Television, 1
284 Serbia, “Circles, 1
285 Slovak Republic, “My Dog Killer, 1
286 Taiwan, “Soul, 1
287 Peru, “The Cleaner, 1
288 New Zealand, “White Lies, 1
289 Albania, “Agon, 1
290 Azerbaijan, “Steppe Man, 1
291 China, “Back to 1942, 1
292 Czech Republic, “The Don Juans, 1
293 Dominican Republic, “Quien Manda? 1
294 Ecuador, “The Porcelain Horse, 1
295 Estonia, “Free Range, 1
296 Finland, “Disciple, 1
297 India, “The Good Road, 1
298 Indonesia, “Sang Kiai, 1
299 Kazakhstan, “Shal, 1
300 Lebanon, “Blind Intersections, 1
301 Lithuania, “Conversations on Serious Topics, 1
302 Luxembourg, “Blind Spot, 1
303 Moldova, “All God’s Children, 1
304 Montenegro, “Ace of Spades – Bad Destiny, 1
305 Nepal, “Soongava: Dance of the Orchids, 1
306 Pakistan, “Zinda Bhaag, 1
307 Philippines, “Transit, 1
308 Russia, “Stalingrad, 1
309 Slovenia, “Class Enemy, 1
310 South Africa, “Four Corners, 1
311 Thailand, “Countdown, 1
312 Turkey, “The Butterfly’s Dream, 1
313 Ukraine, “Paradjanov, 1
314 Uruguay, “Anina, 1
315 Venezuela, “Breach in the Silence, 1