Archive for May, 2018

The End Of Independence? Millennials and the Arthouse

As another summer began among blockbuster flops, a growing number of voices raised the alarm blaming Millennials’ fading interest in movies for disappointing box-office returns. Derek Thompson in his article “Hollywood has a huge millennial problem” maintains the movie industry has over-learned the lesson that sequels perform well and trying to made a sequel of every single movie it has lost its grip on young people. However, recent studies in the States confirm Millennials remain Tinseltown’s biggest customers. Arthouse theatres and small independent films are the ones they have deserted instead. As Thompson puts it, the problem for Hollywood isn’t that Millennials are ignoring sequels, it is that they ignore everything that isn’t a sequel, adaptation, or reboot. These sort of stories exist but young consumers are looking for them outside the theatres. Read the rest of this entry »


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Zama: Lucrecia Martel Screen Talk

Lucrecia Martel’s ‘Zama’ was named as one of our 10 essential films of 2017. To celebrate its UK release, we revisit the revealing masterclass the acclaimed Argentinean filmmaker gave during last year’s London Film Festival, where ‘Zama’ also had its UK premiere. Her long-awaited fourth feature, which took almost a decade to get made, is the first literary adaptation in Martel’s career, based on the 1956 Antonio Di Benedetto’s novel, which is set In the late 18th century and tells the story of Spanish official Don Diego De Zama, whom after years of dedicated service to the Spanish crown in a remote position somewhere in the South American, he believes he’s entitled to a promotion for a place in a better destination. His increasingly delusional longings serve as a reflection on the trappings of personal and social identity as well as taking an incisive, critical look at the ways of colonialism.

Interviewed by professor Maria Delgado and boasting both a healthily sarcastic sense of humour and an endless capability for amazing digression, among other things, Martel talked about her career, the themes and preoccupations’ on her body of work, some of her philosophical theories and what kept her so long from making another film after her masterpiece ‘The Headless Woman’. Read the rest of this entry »

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