Archive for April, 2018

Frames Of Representation 2018: Our Preview

BLACK MOTHER Khalik Allah

The Frames Of Representation Film Festival is ready to raise its curtains featuring once again an unique selection of films which push aesthetic and political boundaries. In only three editions, FoR has consolidated itself as an unmissable forum for those who like cinema at its most ground-breaking, challenging in both form and content. The annual event celebrated at London’s ICA is described by its curator, Nico Marzano, as “a laboratory conceived to engage with new visions of cinema through supporting the presentation, production and distribution of innovative and politically challenging cinematic languages”.

Last year it was dedicated to ideas about “Working” and boasted the UK premieres of two of our favourite films of 2017, Jorge Thielen Armand’s ‘La Soledad’ and Eduardo Williams’ ‘The Human Surge.’ This year’s main concept is “Landscape.” and standout works from the programme such as Salomé Lamas’ ‘Extinction’ or Nelson Carlos De Los Santos Arias’ Cocote’ are also likely to be among 2018’s most thought-provoking and best.

Frames Of Representation will take place from April the 20th until the 28th and will showcase thirteen features and six short films from 16 countries linked together by a strong sense of place, instrumental in the depiction of the issues they reflect upon, blending the poetic with the factual; documentary with fiction and the personal essay with their wider social and political contexts. All of them are UK or European premieres for which the ICA will host Q&As with their respective directors, presented alongside a diverse series of workshops, symposiums and other related activities. Here’s a small preview featuring our picks from this year’s edition: Read the rest of this entry »

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A Gente Creature: Journey to the centre of a dehumanised society.

Based in the Dostoevsky’s short story of the same title, Ukrainian director Sergei Loznitsa portraits contemporary Russia as a corrupted and dehumanised society on his third feature, ‘A Gentle Creature,’ telling the ordeal of an ordinary woman living in a small village whom, after a parcel sent to her jailed husband gets returned for no apparent reason and failing to gather any further information, embarks on a journey to the prison where her partner is held.

Her allegorical journey, a labyrinthine descent into social and bureaucratic hell in which she will experience a cycle of abuse and degradation from the shady characters she encounters in her way, paint a grim picture of the moral decay of the country. Lead star Vasilina Mokovtseva gives a remarkably restrained performance focused on the stoicism of her character, who impassibly endures the humiliations thrown at every step of her search for the whereabouts of her husband, passively letting herself being pushed around. Read the rest of this entry »

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Open Agenda: Solidarity In The Films Of Ken Loach

2016 marked the 50th anniversary of Ken Loach’s BBC drama Cathy Come Home (1966). Its innovative mix of documentary and fiction had enormous social impact and helped to create awareness on homelessness in Britain, using a medium which had rarely seen before such a controversial matter brought to its audience. In turn, the upheaval it caused led to government debate and the creation of the charity Shelter. At an early stage of Loach’s career, the play transcended the realm of entertainment and already showcased most of the qualities his films are renowned for.

The director is considered the pre-eminent contemporary representative of a long standing British tradition of social realism in cinema, which has its roots in the documentary film movement of the 1930s and 1940s, led by John Grierson, and the wartime work of Humphrey Jennings. Read the rest of this entry »

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