Archive for April, 2017

Neruda: Playful Portrait Of An Iconic Poet

The work of Chilean auteur Pablo Laraín’s has always stood out as unconventional. Not even his recent stateside venture with Jackie, which arguably took him closer to the gates of mainstream and earned a nomination for Natalie Portman as lead actress, could made him lose any of his habitual narrative edge.

With ‘Neruda’, Larraín defies every single rule of the much maligned biopic subgenre, crafting a fitting addition to his body of work which, until ‘Jackie’, had dealt with the open wounds of Chile’s historical memory, particularly on his trilogy about the country under General Pinochet’s dictatorship, comprised by ‘Tony Manero’, ‘Post Mortem’ and ‘No’. Going back in time years before the General’s orchestrated coup d’état, it introduces Pablo Neruda both as universally acclaimed poet and as a consolidated political figure, right when the president in charge, González Videla, outlawed the communist party and issued an arrest warrant against the Nobel prize writer for his pro workers revolution ideals. Read the rest of this entry »

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Revolution: New Art for a New World – Review

Today the excellent documentary Revolution: New Art for a New World is released on DVD, coinciding with this year’s centenary of the Russian Revolution and shortly after a preview of the film featured at the official launch of the current Royal Academy of Arts exhibition’ Revolution: Russian Art 1917–1932.’ Our colaborator Rosemary O’Dowd reviewed it:

Directed and produced by acclaimed filmmaker Margy Kinmonth, Revolution – New Art for a New World is a bold and exciting feature documentary that encapsulates a momentous period in the history of Russia and the Russian Avant-Garde. Read the rest of this entry »

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