- 2016: The Year In Music
- 2007 Rober Awards
- 2008 Rober Awards
- 2009 Rober Awards
- 2010 Rober Awards
- 2011 Rober Awards
- 2012 Rober Awards
- 2013: The Year In Film
- 2013: The Year In Music
- 2014: The Year In Film
- 2014: The Year In Music
- 2015 The Year In Film
- 2015: The Year In Music
- The Noughties
- The 2016 Rober Awards Film Poll
- The Rober Awards 2016 Music Poll
The work of Chilean auteur Pablo Laraín’s has always stood out as unconventional. Not even his recent stateside venture with Jackie, which arguably took him closer to the gates of mainstream and earned a nomination for Natalie Portman as lead actress, could made him lose any of his habitual narrative edge.
With ‘Neruda’, Larraín defies every single rule of the much maligned biopic subgenre, crafting a fitting addition to his body of work which, until ‘Jackie’, had dealt with the open wounds of Chile’s historical memory, particularly on his trilogy about the country under General Pinochet’s dictatorship, comprised by ‘Tony Manero’, ‘Post Mortem’ and ‘No’. Going back in time years before the General’s orchestrated coup d’état, it introduces Pablo Neruda both as universally acclaimed poet and as a consolidated political figure, right when the president in charge, González Videla, outlawed the communist party and issued an arrest warrant against the Nobel prize writer for his pro workers revolution ideals. Read the rest of this entry »
Today the excellent documentary Revolution: New Art for a New World is released on DVD, coinciding with this year’s centenary of the Russian Revolution and shortly after a preview of the film featured at the official launch of the current Royal Academy of Arts exhibition’ Revolution: Russian Art 1917–1932.’ Our colaborator Rosemary O’Dowd reviewed it:
Directed and produced by acclaimed filmmaker Margy Kinmonth, Revolution – New Art for a New World is a bold and exciting feature documentary that encapsulates a momentous period in the history of Russia and the Russian Avant-Garde. Read the rest of this entry »
For the film industry the Oscars ceremony puts an end – this year in truly dramatic fashion – to the awards season, and with it the year in film finishes. This is for us the best moment to look back and make our annual recap of the last twelve months of cinema, which in 2016 have come crammed with shocking news, notable changes to the way we approach the film experience and luckily, above all, an incredible number of great films. The quality of this year’s cinematic output was so remarkable that we have had to add ten titles to our annual Top 50, trying to acomodate as many notable works as possible.
After the industry’s racial and gender inequalities came to the front last year, diversity and inclusion were the themes that prevailed in the media conversation during this one, pushed from mere factual exposition into big political vindication after the unexpected international turn to populism experienced in both sides of the Atlantic.
Sundance delivered a few of the best films of the year, our favourite among which were Kelly Reichardt’s intimate portraits of female troubles, Certain Women; Whit Stillman’s brilliant interpretation of Jane Austen’s world with Love And Friendship and Ira Sach’s tale of boys friendship against their parents’ property feud, Little Men. But the film grabbing all the headlines was Nate Parker’s ambitious debut Birth Of A Nation, a story of slaves’ revenge named after D.W. Griffith’s racist silent classic. Hailed as a strong awards contender after the Oscars so white controversy and sold to Fox for a millionaire sum, claims of the director’s earlier sexual assault later on the year wiped its chances out. Read the rest of this entry »
I, Daniel Blake has been named film of the year in the 2016 Rober Awards Film Poll. Ken Loach‘s latest work, putting to shame the cruelty of the current UK benefits system, has resonated with audiences around the world since it won the Palme D’Or at Cannes.
Boasting an unusually wide spread of winners, an indication of the excellent quality and quantity of great movies released over the past twelve months, this year only two film have won in more than one category. Moonlight, which after its historical -and shocking- won at the Oscars, stood above the rest also in our poll by earning a total of five Robers, namely best directing, adapting screenplay, acting ensemble, supporting actor-Mahershala Ali– and cinematography honours. Meanwhile, Park Chan-Wook‘s The Handmaiden was selected in the best Foreign Language and production design categories.
Kelly Reichard‘s collection of intimate female portraits in Certain Women was the runner-up in several categories, including best film, and earned Lily Gladstone the best supporting actress trophy. Other acting winners were Adam Driver, for his poetic rendition of a blue collar worker’s simple life in Paterson. Isabelle Huppert for her double tour de force in Paul Verhoeven‘s provocative thriller Elle and in Mia Hansen-Løve‘s reflection on how we adapt to life’s changes, Things To Come. Ruth Negga conquered the Rising Star award for the heartfelt interracial love story of Loving.
Other notable winners on this edition are Toni Erdmann for best comedy, Scott Walker for the soundtrack of The Childhood Of A Leader, Nick Cave’s documentary One More Time With Feeling and Kenneth Lonergan for Manchester By The Sea‘s original screenplay. Alice Rowe‘s hilariously chilling Prevenge won the best first feature; the documentary Notes On Blindness was voted Best British Film and Pablo Larraín‘s Neruda biopic was named best Hispanic film.
Check the full list of winners here: Read the rest of this entry »
The year 2016 in music was amply defined by those who have left us. Predictably, our readers have paid with their votes a posthumous tribute to such iconic figures as David Bowie, Leonard Cohen and Prince, whose recordings dominate the Rober Awards 2016 winners’ list.
Bowie’s Blackstar has swept the board, dominating in the six categories he was nominated for. His masterful swan song, a poignant and powerful artistic statement reflecting upon his sickness and own mortality, has deservedly won the accolades for album, song, best male artist of the year, etc. Meanwhile, Leonard Cohen was recognized as songwriter of the year, becoming the runner-up for best song and male artist. The early work with 94 East by Minneappolis’ purple royal reigned in the reissue of the year category.
Nick Cave & The Bad Seeds scooped the band of the year honour with Radiohead closely behind. Dorset’s finest PJ Harvey won in the best female and live artist of the year categories. The all-conquering return of A Tribe Called Quest earned them a couple of throphies, namely Best Hip-Hop act and comeback of the year. Frank Ocean won for best R&B artist. Biggest snub of the year sadly went to Beyoncé, who began as the favourite in the four categories she was up for, but surprisingly ended as runner-up in each one of them, prompting fears among the organisers of a potential #RobersSoWhite backlash.
Anohni‘s bold electronic metamorphosis was rewarded with the best pop artist trophy and US new band Whitney took the one for breakthrough artist. Promising Brits Goat Girl were chosen as Sound of 2017. Groundbreaking Swedish songwriter Jenny Hval took the cutting edge honour and the long awaited return of Aussies The Avalanches tied up with producer of the Year Kaytranada in the electronica category.
Some eclectic world flavours were added to the mix by Portuguese fado singer Ana Moura and J-Pop girl band BabyMetal. Kendrick Lamar, Sia and Portishead completed the list of winners.
Check the Rober Awards 2016 Music Poll winners in full: Read the rest of this entry »
To celebrate its release in the UK this Friday, the second in our Toni Erdmann “double bill” of interviews is the conversation we had with its director Maren Ade during the London Film Festival, where the film was chosen as the gala for the Laugh strand and became one of the most talked-about titles of the programme.
One of our favourites of the year, Toni Erdmann is up for eight Rober Awards. Among them, Ade herself for best director and original screenplay.
Radiating with good humour but joking about feeling confused with so many interviews, the chatty German director talked about her writing process; the way she works with actors; her production company and the current state of the film industry.
(By Roberto González) Read the rest of this entry »
Sandra Hüller attends the ‘Toni Erdmann’ Laugh Gala screening during the 60th BFI London Film Festival (Photo by John Phillips/Getty Images for BFI)
One of the best films of the year, Toni Erdmann, is hitting British screens this Friday. After sweeping the board at the European Film Awards, the hilarious comedy has established itself as the one to beat in the Academy awards’ Foreign Language category. It has also scooped a total of eight nominations for our Rober Awards 2016 film poll.
To celebrate the eagerly anticipated release, this week we are publishing the two interviews our LFF correspondents had with director Maren Ade and lead actress Sandra Hüller, respectively. They took place during the London Film Festival, where it was rightly chosen as the gala for the Laugh strand.
We begin our Toni Erdmann double bill with a chat with its female protagonist, in which she gave us her views on women in film industry; the challenges of her role as Ines and her disgust for the people who trade with celebrities’ nude pictures in internet.
Maren Ade’s round table conversation will follow later on the week. (By Nicolas Raffin) Read the rest of this entry »
…And the nominees for best picture are: Read the rest of this entry »
…And the nominees for best director are: Read the rest of this entry »
…And the nominees for best actress are: Read the rest of this entry »
…And the nominees for best actor are: Read the rest of this entry »
…And the nominees for best acting ensemble are: Read the rest of this entry »
…And the nominees for best supporting actor are: Read the rest of this entry »